Vertov and Kren editing diagrams

Dziga Vertov's editing diagram for Man with a Movie Camera (1929), the Hair salon sequence. Blue boxes describe shot contents, the red line between them visualizes the rhythmic quality of editing ('intervals,' in Vertov's parlance).

Figure 1

Kurt Kren's shot plan for Mom and Dad (1964) and his editing diagram for Self-mutilation (1965)

Figure 2

Kurt Kren's shot plan for the film September 20th (1967)

Figure 3

Kurt Kren's color charts for Asylum (1975)

Figure 4

Figure 5